Tuesday, August 19, 2014

Sarah Jio

Sometimes I think of my life as a great big story. Each silly thing I do is a new paragraph. And each morning I turn to the next chapter. It's fun to think of life that way, each day being an adventure of the grandest proportions. . . . . Every time I see my story tinged with unfortunate events, even when such unfortunate events seem to simply happen to me, I remember that I am ultimately the author of my life. My dear friend, in many ways, you've helped me see that I can end a bad chapter early. I can start a new one. I can write myself a fur coat, and a lovely little hotel room in Paris with a view of the Seine.

~ Goodnight June (p 97)

(especially humorous having just read Harold and the Purple Crayon to my nephew.)

Monday, August 18, 2014

Mark Bittman

For every 12 ounces of sugar-sweetened beverage introduced per person per day into a country’s food system, the rate of diabetes goes up 1 percent.

It’s the Sugar, Folks By MARK BITTMAN FEBRUARY 27, 2013 NY Times

Friday, August 1, 2014

Maria Mitchell

[N]o woman should say, "I am but a woman!" But a woman! What more can you ask to be? Born a woman — born with the average brain of humanity — born with more than the average heart — if you are mortal, what higher destiny could you have? No matter where you are nor what you are, you are a power.

--From Maria Mitchell's Life, Letters, and Journals (1896)

Note: Maria Mitchell - what a woman! Read this brief bio from The Writer's Almanac, August 1, 2014:

"Mitchell's list of firsts is impressive: She'd made the first American comet sighting; in 1848, she was the first woman appointed to the American Association for the Advancement of Science; in 1853, she became the first woman to earn an advanced degree; and in 1865, she became the first woman appointed to the faculty of the newly founded Vassar Female College as their astronomy professor and the head of their observatory, making her the first female astronomy professor in American history.

Mitchell also became a devoted anti-slavery activist and suffragette, with friends such as Elizabeth Cady Stanton and Susan B. Anthony, and helped found the American Association for the Advancement of Women."

Monday, July 28, 2014

Ira Glass

Don't wait for permission to make something that's interesting or amusing to you. Just do it now. Don't wait. Find a story idea, start making it, give yourself a deadline, show it to people who'll give you notes to make it better. Don't wait till you're older, or in some better job than you have now. Don't wait for anything. Don't wait till some magical story idea drops into your lap. That's not where ideas come from. Go looking for an idea and it'll show up. Begin now. Be a fucking soldier about it and be tough.

--His advice for aspiring writers or journalists, but doesn't it apply to anyone trying to do pretty much anything? --Editor.

From http://lifehacker.com/im-ira-glass-host-of-this-american-life-and-this-is-h-1609562031

Ira Glass

[T]he hardest part of my job is simply to shift from one task to the next. The new task is like icy water you have to dive into. The old task is a warm bath. It's especially hard when I know the new task is going to be really difficult, as half of them are. I always have to brace myself.

Monday, July 7, 2014

Amy Wrzesniewski and Barry Schwartz

Whenever a person performs a task well, there are typically both internal and instrumental consequences. A conscientious student learns (internal) and gets good grades (instrumental). A skilled doctor cures patients (internal) and makes a good living (instrumental). But just because activities can have both internal and instrumental consequences does not mean that the people who thrive in these activities have both internal and instrumental motives.

Remarkably, [West Point] cadets with [both] strong internal and strong instrumental motives for attending West Point performed worse on every measure than did those with strong internal motives but weak instrumental ones. They were less likely to graduate, less outstanding as military officers and less committed to staying in the military.
Our study suggests that efforts should be made to structure activities so that instrumental consequences do not become motives. Helping people focus on the meaning and impact of their work, rather than on, say, the financial returns it will bring, may be the best way to improve not only the quality of their work but also — counterintuitive though it may seem — their financial success.


~The Secret of Effective Motivation, July 4th, 2014 NYTimes

Tuesday, June 24, 2014

David Brooks

Netzer’s piece [from an earlier issue] is nicely based on the premise that we are crooked timber. We are, to varying degrees, foolish, weak, and often just plain inexplicable — and always will be. As Kant put it: “Out of the crooked timber of humanity no straight thing was ever made.”

People with a crooked timber mentality tend to see life as full of ironies. Intellectual life is ironic because really smart people often do the dumbest things precisely because they are carried away by their own brilliance...Marriage is ironic because you are trying to build a pure relationship out of people who are ramshackle and messy. There’s an awesome incongruity between the purity you glimpse in the love and the fact that he leaves used tissues around the house and it drives you crazy.

People with a crooked timber mentality try to find comedy in the mixture of high and low. There’s something fervent in Netzer’s belief in marital loyalty: “You and your spouse are a team of two. It is you against the world. No one else is allowed on the team, and no one else will ever understand the team’s rules.”

People with a crooked timber mentality are anti-perfectionist. When two people are working together there are bound to be different views, and sometimes you can’t find a solution so you have to settle for an arrangement. You have to design structures that have a lot of give, for when people screw up. You have to satisfice, which is Herbert Simon’s term for any option that is not optimal but happens to work well enough.

Great and small enterprises often have two births: first in purity, then in maturity. The idealism of the Declaration of Independence gave way to the cold-eyed balances of the Constitution. Love starts in passion and ends in car pools.

The beauty of the first birth comes from the lofty hopes, but the beauty of the second birth comes when people begin to love frailty. (Have you noticed that people from ugly places love their cities more tenaciously than people from beautiful cities?)

The mature people one meets often have this crooked timber view, having learned from experience the intransigence of imperfection and how to make a friend of every stupid stumble. As Thornton Wilder once put it, “In love’s service only wounded soldiers can serve.”

--"Rhapsody in Realism," New York Times, June 24, 2014

Sunday, June 22, 2014

Sally Wadyka

The propensity to laugh has been scientifically linked to positive personality traits, such as likability and creativity. 

Kristin van Ogtrop

Why do humans laugh?
  • Because it activates the same pleasure sensors in the brain that are triggered when we eat chocolate. 
  • Because it seems to stimulate the release of endorphins, which reduces the perception of pain. 
  • Because it reduces the stress hormone cortisol and so enhances our ability to remember.

--from Real Simple, July 2014

Sir John Lubbock

Rest is not idleness, and to lie sometimes on the grass under the trees on a summer's day, listening to the murmur of water, or watching the clouds float across the blue sky, is by no means a waste of time. 

--from The Use of Life

Monday, May 5, 2014

Duke Ellington

I don't need time. What I need is a deadline.

Thursday, May 1, 2014

Robert Herrick

I always read this poem on May 1. Always aloud, sometimes just to myself.

Corinna's Going A-Maying

Get up, get up for shame, the blooming morn
Upon her wings presents the god unshorn.
       See how Aurora throws her fair
       Fresh-quilted colours through the air :
       Get up, sweet slug-a-bed, and see
       The dew bespangling herb and tree.
Each flower has wept and bow'd toward the east
Above an hour since : yet you not dress'd ;
       Nay ! not so much as out of bed?
       When all the birds have matins said
       And sung their thankful hymns, 'tis sin,
       Nay, profanation to keep in,
Whereas a thousand virgins on this day
Spring, sooner than the lark, to fetch in May.

Rise and put on your foliage, and be seen
To come forth, like the spring-time, fresh and green,
       And sweet as Flora.  Take no care
       For jewels for your gown or hair :
       Fear not ; the leaves will strew
       Gems in abundance upon you :
Besides, the childhood of the day has kept,
Against you come, some orient pearls unwept ;
       Come and receive them while the light
       Hangs on the dew-locks of the night :
       And Titan on the eastern hill
       Retires himself, or else stands still
Till you come forth.   Wash, dress, be brief in praying :
Few beads are best when once we go a-Maying.

Come, my Corinna, come ; and, coming, mark
How each field turns a street, each street a park
       Made green and trimm'd with trees : see how
       Devotion gives each house a bough
       Or branch : each porch, each door ere this
       An ark, a tabernacle is,
Made up of white-thorn neatly interwove ;
As if here were those cooler shades of love.
       Can such delights be in the street
       And open fields and we not see't ?
       Come, we'll abroad ; and let's obey
       The proclamation made for May :
And sin no more, as we have done, by staying ;
But, my Corinna, come, let's go a-Maying.

There's not a budding boy or girl this day
But is got up, and gone to bring in May.
       A deal of youth, ere this, is come
       Back, and with white-thorn laden home.
       Some have despatch'd their cakes and cream
       Before that we have left to dream :
And some have wept, and woo'd, and plighted troth,
And chose their priest, ere we can cast off sloth :
       Many a green-gown has been given ;
       Many a kiss, both odd and even :
       Many a glance too has been sent
       From out the eye, love's firmament ;
Many a jest told of the keys betraying
This night, and locks pick'd, yet we're not a-Maying.

Come, let us go while we are in our prime ;
And take the harmless folly of the time.
       We shall grow old apace, and die
       Before we know our liberty.
       Our life is short, and our days run
       As fast away as does the sun ;
And, as a vapour or a drop of rain
Once lost, can ne'er be found again,
       So when or you or I are made
       A fable, song, or fleeting shade,
       All love, all liking, all delight
       Lies drowned with us in endless night.
Then while time serves, and we are but decaying,
Come, my Corinna, come, let's go a-Maying.

Saturday, April 5, 2014

Burt Schavitz

A good day is when nobody shows up and you don't have to go anywhere.

(Burt Schavitz is a co-founder of Burt's Bees.)

Roger Cohen

...if you dig into people who are depressed you often find that their distress at some level is linked to a sense of not fitting in, an anxiety about belonging: displacement anguish.
. . . .
James Wood writes [in a recent essay in The London Review of Books, called “On Not Going Home,”]: “Freud has a wonderful word, ‘afterwardness,’ which I need to borrow, even at the cost of kidnapping it from its very different context. To think about home and the departure from home, about not going home and no longer feeling able to go home, is to be filled with a remarkable sense of ‘afterwardness’: It is too late to do anything about it now, and too late to know what should have been done. And that may be all right.”

Yes, being not quite home, acceptance, which may be bountiful, is what is left to us.


~Roger Cohen, The New York Times, April 3, 2014 "In Search of Home"

Wednesday, March 5, 2014

Jincy Willett

She'd never been able to figure out what they stood for--the tarantulas, the hands. Oddly for a writer, Amy was bored by symbols. They ruled the night, and they sprouted in her fiction, but she figured they were no business, really, of hers. They were the product and property of her subconscious, which she pictured as a little man in a projection booth whose matinees she preferred not to attend.