Tuesday, April 8, 2025

Monica Hesse

On my way to visit the corrosive art, I dropped in on another tour group, this one containing mostly Japanese Americans. On that tour, one tourist gently interrupted the tour guide to ask whether she would like a complete translation of some of the Japanese calligraphy that was written on one of the paintings. The tour guide, who was White, exclaimed delightedly that, yes she would, she would love the full translation. And now she has learned something new about the place where she worked every day, and a painting she walked past every hour.

And that is America. That is how we tell the story of America. Together. Each one of us contributing what we can, and when we learn something new, we think about how wonderful it is to learn it, rather than burying the new information down where it can't hurt us.

--"What exactly does Trump think is in the Smithsonian? Following his most recent executive order, I went in search of some 'corrosive ideology.'" Washington Post, April 2,2025.




Monica Hesse

On my way to visit the corrosive art that I cannot imagine Trump has actually seen, I dropped in on a school tour where the guide plopped down a bunch of sixth-graders in front of a magnificent portrait of George Washington — the most famous one, the one by Gilbert Stuart— and there she revealed that there are actually multiple versions of this portrait in existence. They're drafts. Some are just sketches; some contain just his face. They're all just rough drafts that got closer and closer to the real thing, as the artist tried his best to capture this complicated man, this founder of our country, this enslaver, this hero. And that is how history is made. Rough drafts, again and again.

"What exactly does Trump think is in the Smithsonian? Following his most recent executive order, I went in search of some 'corrosive ideology.'" Washington Post, April 2,2025.