Quote Moment
our own personal happiness project
Monday, October 19, 2026
Cyril Hilsum
Friday, September 25, 2026
Neko Case
I’m no good without a dog or a cat. Why would I want to have relationships with just humans when so many other species are possible? If someone I meet is uninterested in creatures, it’s a red flag to me. I immediately think of those people who aren’t interested in other humans who say things like “speak ENGLISH!” so they don’t have to put forth any effort while feeling superior. I know that is not the same thing, but people who are “human-centric” freak me the fuck out. I could go on, but I’ll spare you.
--In her substack newsletter, "Entering the Lung." September 25, 2026.
Tuesday, September 15, 2026
Glynnis MacNicol
Speaking of the young, I spent the last two weeks with teenagers. So many teenagers. It felt like some sort of extraordinary bootcamp. Even when you understand they are using you to slam themselves against to find their own form, it can be a lot. And also so wonderful. My general feeling, is the kids are incredible, especially in the face of an unrelenting terrible news and promises of a bleak future upended by AI. They are clear-eyed about the world and determined about their place in it.
--Glynnis MacNicol's Good Decisions, a substack newsletter (9/13/2026)
Thursday, September 10, 2026
Ginny Sims
Jon Spayde (for ACC): Speaking of England, a main strand in your work is a very idiosyncratic take on Staffordshire pottery. What does that tradition mean to you?
Ginny Sims: It all started from seeing reproductions of the 18th- and 19th-century sketchbooks of the workers from the Leeds pottery factory. I went to the Victoria and Albert Museum in London to see the originals. You could see the dirt and grease on the pages where they had turned the pages, and they were so worn. The handwriting was exquisite, and the drawings were fabulous.
Seeing those books made me cry. And it got me interested in factory ware, not mainly the pottery itself, but the whole history of its making. Then I went to the Staffordshire pottery locations—the six towns that make up Stoke-on-Trent, and these other sad northern industrial towns in England, where I was looking around thinking, This is like Detroit. This country has failed these people.
And so when people associate my work with Staffordshire and English history, I hope they know that I’m really trying to critique this capitalist, colonialist past and using that aesthetic to show how capitalism fails society.
--In an interview/profile for the American Craft Council: https://craftcouncil.org/articles/the-queue-ginny-sims/
Wednesday, April 22, 2026
Holly McNish
This is how much faith we have
Monday, April 13, 2026
Tuesday, March 10, 2026
Howard Zinn
Revolutionary change does not come as one cataclysmic moment (beware of such moments!) but as an endless succession of surprises, moving zigzag toward a more decent society. We don’t have to engage in grand, heroic actions to participate in the process of change. Small acts, when multiplied by millions of people, can transform the world.
Even when we don’t “win,” there is fun and fulfillment in the fact that we have been involved, with other good people, in something worthwhile. We need hope.
An optimist isn’t necessarily a blithe, slightly sappy whistler in the dark of our time. To be hopeful in bad times is not just foolishly romantic. It is based on the fact that human history is a history not only of cruelty but also of compassion, sacrifice, courage, kindness. What we choose to emphasize in this complex history will determine our lives. If we see only the worst, it destroys our capacity to do something.
--"The Optimism of Uncertainty," Sept. 2004. (https://www.howardzinn.org/collection/the-optimism-of-uncertainty/)
Saturday, March 7, 2026
Howard Zinn
The future is an infinite of presents, and to live now as we think human beings should live, in defiance of all that is bad around us, is itself a marvelous victory.
--Excerpt from Howard Zinn's A Power Governments Cannot Suppress (2007), City Lights Books.
(Darcie says: I took this photo on March 6, 2026 at the Jazz Center Gallery for the Arts. It was posted on the community bulletin board.)
Friday, November 7, 2025
Ken Sakata
Beauty is not found in the actual object itself but is the experience of perceiving it. Beauty is the perceptual event.
Sunday, November 2, 2025
Sarah Polley
Thursday, October 30, 2025
Dale Earnhardt, Jr.
Monday, September 8, 2025
Carrie Fisher
Sometimes you can only find Heaven by slowly backing away from Hell.
Carrie Fisher, Wishful Drinking
Saturday, September 6, 2025
The Beths
Friday, August 22, 2025
Jo Hutton
They move. Not just spin classes or runs, but also walking round the shops, Dancing in the kitchen. Any way of letting the body use up its energy.
They soothe. Big sighs. Blankets. Swaying. Music. They take time to switch off and get comfy.
They connect. Humans aren't meant to do life alone. We survive in groups. Feeling cut off is stressful — laughing with friends, cuddling family, bonding over hobbies is medicine.
They express. Through art, talking honestly, writing, standing up for yourself. Bottled feelings don't disappear, they sit in the body.
You won't always manage all four. Physical limitations or life circumstances might make one harder than the others sometimes. But they really don't have to be big gestures, in fact keeping it small is often best.
So grab, a piece of paper. Divide it into four boxes. Write down what works for you in each. Keep it simple. The smaller and easier the better.
And get started.
Monday, August 18, 2025
Neko Case
Being with good humans who have a common goal also bolsters my secondary immune system that processes and disarms the evil of this world. We make art and music together; a sword that rips through the manufactured body of hate that is forever these days trying to block out the sun, isolate us and eat us alive. We will not lay down our lives to it. Never.
--from her Substack newsletter Entering the Lung, "No News Is Good News," Aug. 18, 2025.